Previous work in years. You can scroll down or visit each year : 2019, 2018, 2017, 2016, 2015, 2014, 2013
2020
2019
Space elevator, 2019, 235x127 cm, 107x127cm, oil and spray on canvas ; exhibition view FROM ME MY SHADOW, Moonens Foundation 2019
Electric man, 2019, 60x80cm , oil and spray on canvas ; detai ; exhibition view FROM ME MY SHADOW, Moonens Foundation 2019
Karma, 2018, 80x50x4cm, oil on canvas ; exhibition view FROM ME MY SHADOW, Moonens Foundation 2019
Évier ou mac, 2018/2019, diverses substances, materials and objects of organic and industrial origins
exhibition view FROM ME MY SHADOW, Moonens Foundation 2019 crédit 3e photo Philippe Moonens
Smokestack on the Sun, 2019, 200x160cm, oil and spray on canvas; exhibition view FROM ME MY SHADOW, Moonens Foundation 2019
Pierres primaires, 2019, 70x100cm, spray and oil on canvas
Rusty worm, 2019, 35x31cm, oil and spray on canvas
Rusty, 26x17cm, iron powder, glue, oil and spray on canvas, scotch tape ; H.I.S. DOOR, 2019, 200x70cm, iron powder, glue, spray on canvas, electric extension cable ; exhibition view FROM ME MY SHADOW, Moonens Foundation 2019
Heavy who, 2019, 210x160cm, oil and spray on canvas, adhesive tape ; detail ; exhibition view FROM ME MY SHADOW, Moonens Foundation 2019
Walls of studies, 2019, oil and spray on canvas, on wood, and diverses object combinations
exhibition views FROM ME MY SHADOW, Moonens Foundation
Acid mist, 2019, 200x160cm, spray on canvas and black light spot
MORPHING
2019
collective morphing installation with Jean Casanova Castell, Lola Martins-Coignus, Pierre-Alain Poirier, Emilie Terlinden
KANAL Centre Pompidou, Brussel, Belgium
"Le Morphing est une technique d’animation virtuelle qui consiste en une transformation continue. Il s’agit du passage en douceur d’une image originale à une image finale par transitions graduelles. Dans l’esprit dynamique du montage d’images propre au Morphing, Jean Casanova Castell, Aurélien Cornut-Gentille, Filip Harna, Lola Martins-Coignus, Pierre-Alain Poirier et Emilie Terlinden proposent d’habiter un des territoires du Kanal - Centre Pompidou. Une scène vide, des objets qui se meuvent, des peintures tantôt emballées, tantôt montrées ou encore des ocarinas en forme d’oiseaux sont une partie des éléments d’une partition ouverte que les artistes et performeurs viendront jouer. Pour Morphing, de 20h00 à 8h00 du matin, une série de micros-événements se succèderont autour du dispositif jusqu’à infiltrer l’espace même de Kanal. Entre déplacements, activations et soudains silences, peut-être s’agit-il non pas tant d’exposer à la vue que de suggérer l’image manquante; celle non pas advenue, non pas à venir, mais à sans cesse réinventer dans la nuit."
2018 :
Au seuil de vortex, 2018, oil and spray on linen,copper scaffolding, wood, wheels, telecommunication cable, and various materials of industrial origin (eg. plastic, metals, poster paint, chalks), and organic origin (core of sweet red pepper,nettle, peel of grapefruit) ; exhibition view Amorces, Masters Jury exhibition 2018, 13 av.Tervueren,1040, Brussel, Belgium
Filtre surchauffé, 2018, 122 x 105 cm, Oil on linen, sling, snap-links; exhibition view Amorces, Masters Jury exhibition 2018, 13 av.Tervueren,1040, Brussel and exhibition view Bruxelles Libre Culture, 2018, ULB, Brussel, Belgium
Pavlik, 2018, 77x70,5cm, charcoal, oil and spray on canvas, wooden chassis
Arrêt, 2018, 120x112cm - 77x70,5cm - 58x50cm - 41x34cm - 26,5x19,5cm; oil, spray, charcoal on canvas exhibition view exhibition view TOC TOC, Strassen, Luxembourg, 2018 and Au seuil de vortex, Amorces, Masters Jury exhibition 2018, 13 av.Tervueren,1040, Brussel, Belgium
(In) Construction, 2018, oil, spray, charcoal, watercolor and poster paint, on linen, on canvas, on wood, copper scaffolding, wood planks, wheels, telecommunication cable, and various materials of industrial origin(eg. plastic, metals, poster paint, chalks), and organic origin (core of sweet red pepper,nettle, peel of grapefruit) Royal Academy of Fine Arts Brussels, 2018
Posts for Hamburg, 2018, Studio 45, Hamburg, Germany, exhibition based on painting research in Hamburg port; in pursuance of internship with Chantal Maquet ; all works realized in situ between the 7th and the 13th of april 2018 ; watercolor, poster paint, acrylic, dry pastels, coloured pencils on paper, chipboard, fibreglass, plastic, polystyrene, wood, metal, stone, rope, bone, glove, heel, lighter, porcelain, water current indicating card from 1984, work vest
Pee-jaune, 2018, 160 x 130 cm, oil and spray on linen, exhibition view Amorces, Masters Jury exhibition 2018,13 av.Tervueren,1040, Brussel, Belgium and exhibition views FROM ME MY SHADOW, Moonens Foundation, 2019 crédit photo Philippe Moonens
Semelles au sommet, 2018, 178 x 46 x 84 cm; oil and graphite on paving stone, aluminium, copper, iron, patafix
Kaki dit: tablettes, 2017 29,7 x 21,9 cm (each one); oil, acrylic, silk-scren on canvas on wood board exhibition view TOC TOC, with Nina Tomàs, 2018,Galerie Spiren, Strassen, Luxembourg; © Henri Goergen
In Amsterdam et Vincent au but
2016
12 x 5,6 cm and 12 x 12 cm, oil on wood, and oil on canvas on wood board
exhibition view TOC TOC, with Nina Tomàs, 2018,Galerie Spiren, Strassen, Luxembourg; © Henri Goergen
Souder dans la fôret
2017
140 x 70 cm, oil and silk-screen on canvas
exhibition view TOC TOC, with Nina Tomàs, 2018; Galerie Spiren, Strassen, Luxembourg, © Henri Goergen
Nina Tomàs & Filip Harna
Of course
2018
128 x 72 cm, coloured pencils and watercolor on paper and (on the right)
Moniteur de la pisse
2017
60 x 50 cm, oil on canvas
exhibition view TOC TOC, with Nina Tomàs, 2018, Galerie Spiren, Strassen, Luxembourg, © Henri Goergen
exhibition view TOC TOC, with Nina Tomàs, 2018; Galerie Spiren, Strassen, Luxembourg, © Henri Goergen
(on the left)
Nina Tomàs
Hommage (to Joël Kermarrec)
2015 – 2016
14 x 11 cm, crayon and pencil on paper
(on the right)
Ninuš im Kuelbecherhaff
2016
16 x 12 cm, oil on canvas on wood board,
exhibition view TOC TOC, with Nina Tomàs, 2018, Galerie Spiren, Strassen, Luxembourg, © Henri Goergen
Tas de choses à repasser
2017
110 x 130 x 40 cm, ironing board, silk-screen on cloths,
exhibition view TOC TOC, with Nina Tomàs, 2018, Galerie Spiren, Strassen, Luxembourg, © Henri Goergen
(on the left)
In Antwerpen
2016
14 x 10,8 cm, oil on wood
(on the right)
Nina Tomàs
Hommage (to Sigmar Polke)
2015 – 2016
14 x 11 cm, crayon and pencil on paper
exhibition view TOC TOC, with Nina Tomàs, 2018, Galerie Spiren, Strassen, Luxembourg, © Henri Goergen
2017 :
Exhibition view of Jury 2017, painting studio, Royal Academy of Fine Arts Brussels, Belgium
Moniteur de la pisse
2017
60 x 50 cm, oil on canvas
exhibition view Au seuil de vortex, Amorces, Masters Jury exhibition 2018, 13 av.Tervueren,1040, Brussel, Belgium
PQ aux piques
2017
60 x 50 cm, oil and spray on canvas
exhibition view Au seuil de vortex, Amorces, Masters Jury exhibition 2018, 13 av.Tervueren,1040, Brussel, Belgium
Déviation à la verf
2017
variable size, skeleton, oil on underpants and on jerrican,
road sign board, marker on plastic bottle, and other found objects
Compteur d’eau
2017
200 x 64 x 20 cm (140 x 64 cm canvas)
silk-screen, oil, acrylic on canvas, wood pole, rubber hosepipe, metal pipe, plastic bottle, water
Attention aux cornichons
2017
220 x 120 x 60 cm (40 x 60 cm la toile)
oil and spray on canvas, wood, fishing line, paving stone
Tas de choses à repasser
2017
110 x 130 x 40 cm, ironing board, silk-screen on cloths
TV fil entre la vie et mort
2017
50 x 80 cm, oil and silk-screen on canvas on chipboard
Kaki dit: tablettes
2017
29,7 x 21,9 cm (each one)
oil, acrylic, silk-scren on canvas on wood board
exhibition view of Jury 2017, painting studio, Royal Academy of Fine Arts Brussels, Belgium
Tronc
2017
140 x 60 cm; oil on canvas
Poivron
2017
140 x 60 cm; oil on canvas
exhibition view of Jury 2017, painting studio, Royal Academy of Fine Arts Brussels, Belgium
Souder dans la fôret
2017
140 x 70 cm, oil and silk-screen on canvas
2016 :
Exhibition view Z Marsu S Hanou, Galerie W7, Olomouc, Czech Republic, 2016
exhibition view of D.N.A.P. 2016, College of Fine Arts and Design Marseille – Mediterranean(ESADMM), Marseille, France
Mémoire
2016
240 x 12 cm, oil and ink on canvases, wood limb
exhibition view of D.N.A.P. 2016, College of Fine Arts and Design Marseille – Mediterranean(ESADMM), Marseille, France
Marine
2016
130 x 240 x 6 cm, oil and acrylic on canvas, mesh cloth, wood branches and lath, iron sheet, rope
Baumettes Mountain College
2016
106 x 102 cm, 202 x 36 cm; oil, acrylic and spray on canvases
exhibition view 2016, College of Fine Arts and Design Marseille – Mediterranean(ESADMM), Marseille, France
El Salon
2015/2016
180 x 175 cm, 175 x 180 cm, 178 x 130 cm, oil, acrylic and spray on cloths
Exhibition view, College of Fine Arts and Design Marseille –
Mediterranean(ESADMM), Marseille, France
2015 :
Robinet
2015
165 x 170 cm, oil,spray and synthetic resin on cloth on wood branch
Mozilla Firefox
2015
160 x 170 x 40 cm, oil, acrylic, spray, charcol, synthetic resin, rope, fox, skull, cloths, wood branch and laths
Drapeau
2015
130 x 100 cm (paper), 160 cm (branch)
oil, spray, synthetic resin on paper , wood branch
La Plage (Dalles des Pierres Tombées)
2015
160 x 150 cm, oil, acrylic, spray and chacoal on canvas
exhibition view, College of Fine Arts and Design Marseille –
Mediterranean(ESADMM), Marseille, France
Simon
2015
100 x 80 cm, oil, spray and charcoal on canvas
Peuple de Mars
2015
100 x 62 cm (each one), Silkscreen on paper, cloth, tape
Le roi gratte - cul
2015
65 x 80 x 25 cm, bull skull, rosehips, synthetic resin, spray
Babička Ivona
2015
160 x 140 cm, oil, spray and charcoal on canvas
2014 :
1997
2014
200 x 220 cm, oil on canvas
Luminy
2014
160 x 140 cm, oil on canvas
Comp I - VI
2014
oil, acrylic, spray, synthetic resin, cloths, canvases, wood, branch and laths
Têtu
2014
60 x 45 x 40 cm, wood, iron bar, glue
Vachette
2014
170 x 130 x 30 cm, bull skull, bitumen paint, oil, acrylic, cloth
Ljubov Orlova
2014
150 x 150 cm, oil on canvas
2013 :
High - form
2013
240 x 75 cm, oil on aluminium panel
Barque
2013
100 x 70 cm, oil on canvas
Electric manEdit